When it comes to photography — shooting watches or otherwise — how many megapixels does a photographer really need? Sure, it’s the singular metric that’s more or less defined a veritable arms race in the photo-taking industry since the advent of the digital camera. But does it really matter? Can a 20 megapixel Nikon D500 from five years ago produce the same quality of image as Sony’s newest 64 megapixel monster? The answer is obviously as complicated as it is entirely subjective, because just about anything can be a deadly weapon in the hands of a trained assassin, right? Ultimately, the secret to creating beautiful images on either platform isn’t the size of the camera sensor, or even the lens attached to the camera, though both of those elements are certainly critical. Even still, the single most important element of photographing watches is actually quite a simple one: light.
Presented using lighting tools from our friends atProfoto ,
whose commitment to light shaping excellence today
inspires the future of exceptional imagery tomorrow.
Why now? Well, with most of the world currently under mandatory shelter-in-place orders, we thought it was a great time to pick the conversation up around watch photography — particularly aftersurveying our Editorial team to see what new skills they were pursuing with all the extra down time. A common thread among creators during times like these is that we are left with ample time to — well, create, in hopes of broadening and sharpening our respective skill sets for when it’s time to get back out there.
Can you tell which photos throughout this story belong to each camera system below?
Unfortunately, light alone doesn’t sell new cameras, as it’s much more difficult to articulate on a spec sheet – whereas the value or power of a camera can be easily communicated in its number of megapixels. And more megapixels should mean sharper, more detailed photographs, right? Well yes – but also no. It’s hardly quite so simple, because as you can see below, no two shooters on the ABTW Editorial team are reliant on the same camera system:
ABLOGTOWATCH PHOTO CONTRIBUTORS AND THEIR CAMERA SYSTEMS:
However, one thing we can all agree on is how crucial it is to use high-quality tools for shaping light. Better light enables the shooter to use a much lower ISO setting with a much higher f-stop; a combination that yields sharper and more detailed images (no matter the camera’s megapixel count). The latter of these elements is particularly crucial when dealing with the razor-thin focal planes found in macro photography. But most important of all, better command over this light enables the photographer to shoot more creatively, ultimately producing more dramatic or compelling imagery.
Creating great light in a small corner of your home office or in a dynamic trades how environment is a bit like carrying around a box of puzzle pieces (i.e., various bits of camera gear) that have to be assembled on a complex new surface every time you take them out of the box. However, the more familiar you are with each piece, and the more often you put them together, the more comfortable you’ll be with adapting them to each new environment. And coming equipped with the right pieces in your little box enables you to bend the surrounding environment to your will, turning even your dining room table into a miniature photo studio for your favorite watches. To get you started, we’ve assembled three key steps in the process — each with its own tips and tricks that should enable you to make the most of what you’ve got and help you level-up your photo-sharing game on Instagram.
GET YOUR GEAR
To get started, all you’ll need is a cool watch, a camera (even the one on your smartphone will do), and a good light source, and you’re well on your way. This light source could be a brightly lit corner of your apartment by a window, your camera’s onboard flash (just remember to never point the flash directly at your subject), or an external flash kit like Profoto’s powerful A1 or ultra-portable A1X flashes. A remote trigger like the ultra-simple Profoto Connect for the aforementioned isn’t mandatory, but it can absolutely come in handy, enabling you to introduce light to your subject from an entirely different direction as your camera. And while nearly any good light source will help you achieve satisfactory results, such an external flash system will unlock an entire world of dramatic, studio-quality light no matter the venue — be it a desk in your home offices or a dimly lit corner of a brand’s booth at Baselworld.